Happy New Year – and decade – to all! The new term of ballet classes at URC began on Monday 6th January with the usual schedule of classes:
Mondays 4.15-5.30pm adult beginners, 5.45-7.15pm intermediate
Thursdays 10.00-11.30am advanced, 11.45am-12.15pm optional pointe work
Saturdays 10.00-11.15am adult beginners, 11.30am-1.00pm intermediate/advanced, 1.15-2.00pm optional pointe work.
Classes will as usual continue without a half term break; but the final date of the spring term is yet to be confirmed.
A date for your diary, however: on Monday 20th January there will be the usual adult beginners’ class but no intermediate class. This is because of an exciting DANSOX evening event with choreographer Cathy Marston talking about her new ballet for the Royal Ballet, which I thought people would be interested to attend; you can find details about this on the Oxford Dance Writers (ODW) website here, and check out other exciting dance events in January also flagged up on ODW.
As previously I have a list of people waiting to join the Saturday adult beginners’ class. If you are not able to continue with this class or if you think your attendance might be intermittent, please do let me know soonest if you have not already done so, so that I can calculate how many new people may join.
See you in class!
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A year ago I didn’t manage to write a review of 2018; which had ended momentously with the wonderful winter wedding just before Christmas of my daughter Joanna and her man Dan. A very happy occasion with much laughter and song; and the talents of dear dancer friends from Sadler’s Wells Royal Ballet days were visible in the bride’s beautiful dress from Ritva Westenius, now headed by Chenca Williams, and gorgeous floral arrangements by Covent Garden’s go-to florist Bloomsbury Flowers run by Stephen Wicks and Mark Welford.
Building up to this special family event had shaped a year otherwise spent in regular teaching but also academic activity; beginning in January with a lecture for the History of Performance Course devised by the admirable Jane Pritchard, Curator of Dance at the Victoria and Albert Museum which houses the former Theatre Museum collections. ‘Dancers, audiences and spaces: reflections from practice’ had been originally presented at a Dance and Academia event in Oxford programmed by Miranda Laurence. It drew on my own experience as a dancer in considering different spaces for dance and their effects on the relationship between performer and audience. In April the more theoretical side of my doctoral research had its first outing in a paper ‘The ballet class: oral tradition and embodied learning’ at the Society for Dance Research’s conference evocatively titled ‘Dance in the Age of Forgetfulness’. Read More