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Class updates

I hope that you are coping with the continuing lockdown, and despite this able to enjoy the spring weather a bit.
Ballet in Small Spaces has been searching for online ways to help people keep their ballet practice alive in the smallest of spaces. Some have already checked out my series of Enchainement of the day Instagram posts at susiecrowbiss. As there appears to be a restriction of 60 seconds now on videos on Instagram, I have taken the decision to transfer this to YouTube. You can now find the continuing series on the Ballet in Small Spaces YouTube channel here:
https://www.youtube.com/channel/UCbAJIO9c-u4DZ2vCcwi6h6w

I will continue to post announcements on Instagram as further material goes up.  The idea is to provide barre work and centre work enchainments for you to work on in your own time and at your own pace.  Please do subscribe and post any questions or comments; we are all learning here, and I would welcome your feedback…

Susie

 

It is with a very heavy heart that I write to let you know that all BiSS ballet classes at the URC are suspended as from Thursday 19th March. In the light of all that is going on, and aware that quite a number of class members are already taking sensible precautionary action to self isolate, it seems the safest and most responsible thing to do. This suspension will continue till the end of April; I will of course post any developments or changes to that date.

Meanwhile I will be looking into ways to keep in touch online and via social media, so that those that wish may be able to keep up some useful and enjoyable practice even while isolated at home, as many dancers internationally are already beginning to do. For starters I am very grateful to Sonia Tycko who sent this article with cheery clip which may give you a few ideas about what is possible even if in a limited space…

Planning to post more on this blog, so watch this space…
Take care and keep safe!
My very best wishes to you all,
Susie

I am going to Malta this week to give a paper at the  Performance Knowledges: Transmission, Composition, Praxis Conference being organised by the University of Malta with the Centre for Dance Research of Coventry University.  I will be leaving on Tuesday 10th and returning Sunday 15th March. Delighted to report that all BiSS ballet classes at URC will continue as normal during my absence, thanks to the help of lovely and experienced dancers Lisia Newmark and Tamara Callander, with whom some of you have worked before.
So this week’s schedule is as follows:
Monday 9th March: 4.15-5.30pm Adult beginners, 5.45-7.15pm Intermediate, taught by Susie
Thursday 12th March: 10.00-11.30am Advanced, 11.45am-12.15pm Pointe work, taught by Lisia
Saturday 14th March: 10.00-11.15am Adult beginners, 11.30am-1.00pm Intermediate/advanced, 1.15-1.45pm Pointe work, taught by Tamara
Monday 16th March: 4.15-5.30pm Adult beginners, 5.45-7.15pm Intermediate, taught by Tamara. Very sadly my much loved teacher Roger Tully passed away on 26th February. His funeral is to be held on Monday 16th, so I will not be able to teach that day, but Tamara has kindly agreed to teach these classes as well.  Tamara also taught for me on 24th March; but for those of you who do not yet know her, here is a biography for your information:

Tamara Callander
Tamara studied classical ballet in her native Perth (Australia), followed by further training at the prestigious Academie de Danse Classique in Monte Carlo. On her return to Australia she performed in a diverse range of projects, arts festivals and club shows leading to the development of Ballet About. As a co-founder she performed as Principal Dancer on productions taking a range of traditional classical ballets, flamenco inspired collaborations and contemporary choreography to local communities.

She danced with the West Australian Ballet Company for several seasons on a range of productions including Romeo & Juliet and Giselle; had guest appearances as a Principal Artist with Perth City Ballet – highlights being Swan Lake, Don Quixote and a tour of the UK; she later travelled & performed in Europe as a freelance dancer.

After retiring from performing and having relocated to the UK, Tamara pursued a successful career in Marketing & PR in London. Since becoming a mother to two boys and moving to Oxford, her most recent project has been the inception of Kinetikids, creating dance & movement classes for 4-6 year olds.

Tamara has been a teacher, coach and ballet mistress throughout her career to students of all ages and enjoys sharing her love of dance and music.

Lisia Newmark

You can find a biography of Lisia here, and and here is a picture of her performing in The Solos Project for Ballet in Small Spaces in 2008.

Should there be any further schedule or teaching changes because of coronavirus developments that might keep me away from my computer and my email list, I will post these here on the BiSS blog, so please do keep an eye on it…
I will look forward to seeing you all again from Thursday 19th March, meanwhile enjoy!

Susie

Happy New Year – and decade – to all!  The new term of ballet classes at URC began on Monday 6th January with the usual schedule of classes:
Mondays 4.15-5.30pm adult beginners, 5.45-7.15pm intermediate
Thursdays 10.00-11.30am advanced, 11.45am-12.15pm optional pointe work
Saturdays 10.00-11.15am adult beginners, 11.30am-1.00pm intermediate/advanced, 1.15-2.00pm optional pointe work.
Classes will as usual continue without a half term break; but the final date of the spring term is yet to be confirmed.

A date for your diary, however: on Monday 20th January there will be the usual adult beginners’ class but no intermediate class. This is because of an exciting DANSOX evening event with choreographer Cathy Marston talking about her new ballet for the Royal Ballet, which I thought people would be interested to attend; you can find details about this on the Oxford Dance Writers (ODW) website here, and check out other exciting dance events in January also flagged up on ODW.

As previously I have a list of people waiting to join the Saturday adult beginners’ class. If you are not able to continue with this class or if you think your attendance might be intermittent, please do let me know soonest if you have not already done so, so that I can calculate how many new people may join.

See you in class!

Susie

A special treat for those doing classes at URC on Saturdays this term.  Hannah Quinn is currently the Ivor Guest Trainee Pianist at the Royal Ballet, and as part of this programme she is getting additional experience playing for BiSS Saturday ballet classes.  This is proving a real treat, a wonderful opportunity to enjoy dancing with a live musician rather than recorded music, and to experience the instantaneous collaboration and enhanced listening that this cultivates in dancers.  See below for a biography of Hannah.

Hannah Quinn

 

British Pianist Hannah Quinn graduated with Distinction from the Royal Conservatoire of Scotland with an MMus in Repetiteurship. During her studies she was awarded the Leonard Hancock Memorial Prize and the James H. Geddes repetiteur prize. Hannah is an alumnus of the National Opera Studio.

Hannah has had extensive experience in the operatic world, but after discovering ballet through a couple of freelance contracts, has fallen in love with the classical dance form and has taken active steps to pursue it. Hannah is absolutely delighted to be training at the Royal Ballet this season and is fully committed to making the most of this excellent opportunity in order to gain the skills required of a ballet pianist.

Hannah has worked on Rachmaninov’s Symphonic Dances as it was being devised as a new piece by Liam Scarlett. She has also played for Wayne McGregor in his new commission Obsidian Tear, set to the music of Esa-Pekka Salonen’s Nyx. Hannah has also worked with singers and dancers together in Javier Dr Frutos’ Les Enfants Terribles by Philip Glass. She is currently working on Kenneth MacMillan’s Concerto, The Sleeping Beauty and Coppelia.

In the operatic world, Hannah has worked as a repetiteur at English National Opera, British Youth Opera, Scottish Opera and English Touring Opera where she was Head of Music Staff for two seasons.

Hannah has also performed as a song recital accompanist in the UK and abroad. She has a varied interest in repertoire spanning German Lied, French Melodie and contemporary music.

Hannah is also a trained conductor and has performed with Southbank Sinfonia, Trinity Orchestra, Tianjin Philharmonic, Hampstead Garden Opera and English Touring Opera.

September has arrived, so here confirming the start date of ballet classes for the autumn term at URC, and the schedule.

Classes will resume from Monday 9th September, with the schedule as follows:
Mondays: 4.15-5.30 adult beginners, 5.45-7.15pm intermediate
Thursdays: 10.00-11.30am advanced 11.45am-12.15 pointe work
Saturdays: 10.00-11.15am adult beginners, 11.30am-1.00pm intermediate/advanced, 1.15-1.45pm pointe work

Prices remain the same at £10 per class with the 10th class free; pointe-work sessions will cost £4.

Classes will continue throughout the term with no half term break; a provisional date for the end of term is Saturday 14th December, but I will confirm this nearer the time. I will also alert you to any change to the schedule or unforeseen cancellations which may arise.

There continues to be a waiting list of people interested in joining the adult beginners, especially on Saturdays; so for those already attending please let me know soonest if you are planning not to continue coming this term, or if you are likely to be away at all, so that I can calculate how many new people I can realistically accommodate. If I do not hear, I will assume that you plan to continue as normal.

For those who want to do extra classes, may I also recommend to you Ségolène Tarte‘s Friday classes at URC which will resume from Friday 13th September and run until 13th December:

6.15-7.30pm  Adult beginners/improvers  7.30-9.00pm Intermediate/Advanced

Also check out Ségolène’s website here for details of her Tuesday 6.15-7.45pm class at Mortimer Hall which will resume on 10th September, level Improvers to Intermediate/Advanced.

Looking forward to a new term of dancing with you all!
Susie

A happy memory of a highly enjoyable class with guest teacher Brian Bertscher.  The two hours began with a thoroughly warming barre, starting slowly and building in speed, with challenging balances and precision.  In the centre port de bras and adage explored épaulé lines, followed by pirouettes with luxurious balancés, bouncing petit allegro combinations and an exhilarating Prokofiev waltz to finish.  Brian communicated both rigour and infectious enthusiasm.  Hopefully to be repeated before long…

Brian Bertscher with Susie Crow and URC class members 3rd August 2019