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Tag Archives: Interprète/Inappropriate Behaviour

Looking back on the review of 2015, 2016 didn’t work out quite as expected – but in a year of global upheaval that is perhaps hardly surprising…

Following on from Two old instruments, an amazing opportunity had presented itself in December 2015 to work with Baroque musician Evelyn Nallen on a recreation of what could claim to be the first dramatic ballet in which a story was told without recourse to words, but through dance and mimetic gesture. John Weaver’s The Loves of Mars and Venus was premiered on 2nd March 1717 at Drury Lane.   His original scenario survives, and Evelyn and dance historian Moira Goff had used it as a base to put together a score of suitable period music; the idea to recreate the work incorporating some authentic dance material of the period but to reset ensembles and the gestural scenes, which Weaver had originally “attempted in imitation of the Pantomimes of the Ancient Greeks and Romans”.   This fascinating project was set to be unveiled on the 300th Anniversary in a truly period magnificent setting with a team of 14 dancers, 7 musicians and an actress. Unfortunately despite our best efforts and heavyweight support from some big names including Dr Richard Ralph, Weaver’s biographer, we were unable to raise sufficient funds; and ultimately lost our venue through factors beyond our control. The project has now morphed into an intimate play with music and authentic dance “Mr Weaver’s Dramatick Entertainment”, but I am sadly no longer involved. I will however keep you posted of performances of what should be a very enjoyable celebration of a truly notable date in the history of ballet. Read More

A year of dancing, teaching, study and music…

On a quiet day in January at the Ivy Arts Centre in University of Surrey Jennifer Jackson, Nicholas Minns and I danced for Sonia York-Pryce as part of her research into ageism and the mature dancer, improvising on her material. This enjoyable experience resulted in short individual interpretations, which along with those of other dancers in UK and Australia Sonia edited into an atmospheric compilation, Interprète/Inappropriate Behaviour. Shown to acclaim as an installation at the Whitebox Gallery of Queensland College of Art at Griffith University in August it subsequently won the Gold Medal in the first ever Joie de Vivre Dance Film Competition here in the UK. You can read more about this and find links to the films here

Dancing continued in February with a further performance of Two old instruments with viola da gamba player Jonathan Rees in the impressive Hive library in Worcester; read about this here. We prepared for this with rehearsal at Didcot’s welcoming Cornerstone Arts Centre; and were back there again in June, this time with Jennifer Jackson and violinist Jenna Sherry, to work on another musical collaboration. Set to Ravel’s beautiful and richly complex Sonata for violin and cello, inflect, unravel received an informal showing in the Church Hall at Holy Trinity Barnes on 17th June before its first formal performance on 18th June as part of Donald Hutera’s vibrant GOlive Festival at the Giant Olive Theatre in Kentish Town. Read More